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Pitching Mechanics

If you haven’t read my articles titled Do You know Your Throwing Anatomy, now is your chance to catch them! InsidePitching.com is running parts one and two on March 15th and 22nd, respectively, and my third and all new installment is due to premier on their site on March 29th! Check them out!

This is a drill that I have been doing for about 9 years now.  I learned it from my friend Duane Rhine, who taught me the curveball that got me into college.  My hammer was the only reason my 78-81 arm ever saw the mound as a freshman, and this drill helps tremendously to get the spin and consistent release down.

The point of the bucket? Well, that’s your “strike” release point.  Don’t expect the ball to break at such low velocity; just work on getting tight spin from your grip and follow through. Learn to nail that bucket on a consistent basis and you will have no trouble spotting up that curve in game situations.  It’s all about repetition with proper mechanics.

This is a pretty neat drill that my friend Joe Cusimano showed me today. By grabbing the weighted ball (2lb) as your arm comes through in a pitching motion, you increase demand on your rotator cuff, thus strengthening the muscles that decelerate the arm through the zone.  If you aren’t familiar with said decelerators, read my two posts on Throwing Anatomy (Part 1 and Part 2)

This video is of Frostburg freshman Adam Baxley banging out a box drill.  We use this to develop both foot speed and conditioning.  Having him block increases game carryover as well, and will give him the stamina to perform pop-ups from his knees into the late innings.  Hip flexor, leg and core strength are all stressed in this drill.

Applying the deliberate practice principles to your throwing

In my last post, I talked about the deliberate practice principles laid out in the book Talent is Overrated by Geoff Colvin.

To refresh, deliberate practice involves

  • Working on a specific aspect of performance
  • High repetition
  • Continuously available feedback
  • Highly demanding mentally
  • Isn’t (usually) much fun

In this post I’m going to talk mainly about the third piece of the puzzle, focusing primarily on how it relates to improving throwing mechanics and velocity.

Feedback and throwing mechanics:

To start, you’re probably wondering why “throwing mechanics” and not “pitching mechanics.” Paul Nyman of SETPRO was the first to make the clear distinction between these two activities. Pitching is about doing everything you can do get the batter out, whereas throwing refers to the specific movement patterns/sequences that your body goes through to apply force to the ball. When you hear people talking about posting leg position or hand break timing or whatever, what they are really referring to is a player’s throwing mechanics.

Feedback is particularly under-appreciated when it comes to players and velocity development. When was the last time your pitching coach brought a radar gun to your team’s bullpen sessions? I can tell you that, in my experience, at the high school level and below this form of feedback is almost nonexistent.

So how do you make sure that you’re applying the continuous feedback principle and aren’t wasting your practice time on empty repetitions? Here are a couple ideas…

Read the rest of this entry »

In part one we discussed the throwing anatomy of the shoulder and upper torso muscles that are chiefly involved in throwing.  All of those muscles transmit their power down the upper arm, forearm, and finally the fingers, which release the ball. Today we will discuss the upper arm and forearm compartment muscles.

Accelerators

Triceps Brachii

The triceps is another muscle not known for its role in throwing, but it performs a crucial task: straightening the arm before release.  The triceps originates in three places (triceps means “three heads”): the scapula, and two different points on the posterior humerus. It inserts on the olecranon process (funny bone) of the ulna.

A very tiny muscle called the anconeus, which connects the humerus to the ulna, also assists the triceps in the extending the arm.

The triceps acts to extend the arm before release.

The triceps acts to extend the arm before release.

Forearm Pronators

Arm fully pronated after release

Arm fully pronated after release

Pronation (turning your palm down and inward) naturally occurs during throwing, regardless of the pitch thrown. The muscles responsible for this action are located in the anterior compartment of your forearm and are referred to as (you guessed it!) pronators.

Pronator Quadratus

Pronator quadratus, which originates on the anterior ulna and inserts near the wrist on the radius, is the prime mover of forearm pronation.  Having strong pronators is crucial to keeping your elbow healthy and happy, and can help you get more movement on the ball.

Pronator Teres

Pronator teres is two-headed and originates on the ulna and humerus.  Its insertion is midway down the radius on the lateral aspect.  This is the second of two dedicated pronation muscles.   Read the rest of this entry »

A working knowledge of the anatomy of pitching and throwing is important for every player and coach to have.  The more informed you are about your body and how it works, the more you can control your training and adjust it to get maximum results.   Once a player realizes where he needs to be strongest to throw harder and decrease injury risk, it is often easier to motivate them to do the additional work.

So, today we’re going to discuss the main upper torso and shoulder muscles that accelerate and decelerate the baseball…

Anatomical Terminology

Anterior: in or toward the front of the body (when divided by the coronal plane)

Posterior: in or toward the rear of the body (when divided by the coronal plane)

Internal Rotation: to bring toward the body’s midline by  joint rotation. (When the arm is abducted, this brings the hand forward)

External Rotation: to carry away from the body’s midline by joint rotation (When the arm is abducted, this brings the hand backward)

Adduction: to bring toward the body’s midline on the coronal plane (ex: bring hands to your sides

Abduction: to move away from the body’s midline on the coronal plane (ex: raise arms to the side)

Medial: (describing the position of a bodypart) toward the midline of the body

Lateral: (describing the position of a bodypart) away from the midline of the body

Showing the 3 planes of movement

Showing the 3 planes of movement

The Accelerators

Most of the upper body and shoulder muscles that accelerate the arm are internal rotators. They take the arm from…

Here...

Here (cocked in external rotation)…

...to Here (internal rotation)

…to Here (internal rotation)

1. Subscapularis

Subscapularis

Subscapularis (Anterior View)

The most powerful muscle performing a given movement is called the prime mover, or agonist. The prime mover of internal rotation is the subscapularis, which is a member of the “rotator cuff” group.  This muscle covers the anterior portion of the scapula (shoulder blade) and inserts on the lesser tubercle of the humerus (upper arm).  The subscapularis, along with all of the rotator cuff, contributes in stabilizing the shoulder joint which helps prevent injury.


2. Teres Major

The Teres Major is another internal rotator, which originates on the posterior aspect of the scapula and inserts on the medial lip of the intertubercular groove of the humerus.

Muscle action can be figured out by knowing the origin and insertion, as they act just like hydraulics – lengthening and shortening to create movement.  Since the teres major inserts on the front of the humerus, when it contracts the arm will rotate internally. Read the rest of this entry »

If I have learned one thing from my Psychology and Philosophy degree, it is to recognize bad experimental design and flaws in logic.  Chris O’Leary, in his pitching mechanics analyses, is subject to both of these problems and presents superficial and baseless arguments.  This is disconcerting because many pitchers read his blog, fall for his arguments, and go about tampering with their mechanics in fear of his false prophesies.   Read the rest of this entry »

Ever heard someone say, “I just tensed up.”?  Chances are you have, within the context of that person explaining why he choked under pressure.  Tensing up is somewhat a figure of speech, but also a real occurrence.  Muscles contract in uncontrolled ways in response to fear, excitement, anger, etc.  Uncontrolled muscles are a bad thing for pitchers.

Tense muscles don’t function as they are supposed to.  They don’t stretch, rebound and contract as they are supposed to.  Sit down in a chair and flex all of your muscles at once.  You won’t be able to get up.  Why? Because all the muscle fibers are doing the same thing, all at once.  Because of this all-over tension, no work can be performed, and motion becomes impossible.  You’ve rendered your muscles useless.

You’ve also heard of pitchers “rearing back” and throwing the ball as hard as they can right by a batter.  Problem is, this act of rearing back, of giving it all you got, of putting every fiber into the pitch, is often counterproductive.

As my good friend Zach Clark was explaining to me, your body knows how to throw a baseball as efficiently as it can.  It knows which and how many muscle fibers to recruit.  Thing is, you have to let it do its work, and that requires relaxation.

Relaxing as best you can when throwing allows your body to choose, and it knows better than you do, which muscle fibers to recruit in throwing the ball.  Some fibers relax, and some contract in accordance with the most efficient ratio to throw as hard as possible.  Tensing up causes muscle fibers that are supposed to be relaxed to contract, thus hindering the natural way in which your body wants to throw.  

In theory, this makes sense and I believe in it.  However, in practice it is much more difficult.  When one wants to run faster he simply tries to run faster by using more intensity.  This usually works until top running speed is achieved.  However, as we have discussed, throwing harder is not this way.  It requires the delicate balance of effort and efficiency.  You have to try to throw hard, but you can’t try too hard.  Pitchers have to constantly fight this urge to overthrow, and if they are successful, then they will achieve their best velocity and best control.

My best velocity is always achieved in situations when I perceive that I need it the least.  This is my personal affirmation of this theory.  I have two standout examples of this.  I was facing one of my teammates in an intrasquad game a few years ago, and I got to 3-0 on him.  The first three pitches were all 87 mph.  The 3-0 pitch was 89.  How could this be?  Well, I thought nothing of throwing hard, but only of throwing a fat strike because I knew he wouldn’t be swinging.  I relaxed.

My most recent example was last week in my first outing throwing to batters since my surgery.  I was scheduled to throw 45 pitches, but threw 46 because no.45 was high and outside.  I wanted to end on a strike.  Keep in mind, this was the highest workload I had had since surgery, and by all rights my velocity should have peaked in the middle and tapered off at the end as I tired.  This was generally true, as I was 82-83 the whole time.  But my hardest pitch was no.46.  I hit (a whopping) 84 on pitch 46.  Why?  Because I didn’t care how hard it was – I just wanted to end on a strike.

There are other negatives associated with overthrowing.  The most obvious is a loss of control.  That phenomenon needs little explanation.  Another is loss of movement.  Sinkerballers must especially keep themselves in check, because they make their money on their fastball movement.  Overthrowing will usually cause a lively fastball to flatten out, rendering it much easier to hit.  

And after all, the point of having good velocity and movement is to make one’s pitches more difficult to hit.  Muscle tension caused by overthrowing is the enemy of a quality pitch, so If one can master his mindset to allow relaxation on the mound, then he will be maximizing his chances for success.